Friday, June 29, 2018

Countdown! Best Movies of the Past Few Years: "45 Years" Will Knock the Wind Out of You

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Just a reminder...these are movies I've seen for the first time in the past few years; not necessarily movies that were made during that time period. Here's where we stand so far:

Honorable Mention: Basquiat (1996)
10. Split (2016)
9. In Bruges (2008) - tie
9. War Dogs (2016) - tie
8. The Edge of Seventeen (2016)

7. 45 YEARS (2015)

When we first enter the world of 45 Years, we feel like voyeurs eavesdropping on the quiet personal lives of Geoff and Kate Mercer. They live alone in a picturesque British cottage, with a property that whispers too good to be true. It seems like a warm home, and a lovely place for a weekend away. 

Kate, wonderfully played by the great Charlotte Rampling, is making preparations for their 45th anniversary party, while Geoff (Tom Courtenay, another seasoned pro) reads the paper, does chores around the house and chimes in from time to time. The Mercers have a normal, quiet existence, and they seem mostly content. 

Until the letter arrives. Geoff receives communication that the body of a former lover of his, Katya, was found in a glacier in Switzerland. Geoff was with her on that fateful hike, roughly 50 years into his past. It's a buried memory. In his mind, the letter brings Katya back to life. 

In the following days, Kate notices slight changes in Geoff's normally-steady behavior. He becomes more irritable. More aloof. Kate senses some distance developing in their once-concrete connection. 

And I don't want to give too much away. 

But, in all honesty, this is a heartbreaking story. Writer/director Andrew Haigh's quiet realism allows the viewer to realize the impending horror as it unfolds. Geoff's old memories rush back like flowing rapids. He begins to think about the entirety of his life. Did he end up with The One?

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Kate is no dummy. After 45 years, it goes without saying that she knows Geoff like the back of her hand. Is he slipping away from her? How can she get him back on track?

There are no easy answers. For a quiet, little, small-town film, 45 Years can be immensely powerful to the right audience. 

Forty-five years. That's a lifetime. During the film's climax, on the dance floor, Rampling does some virtuoso work. She conveys that lifetime in simple expressions and movements. 

Forty-five years of marriage. Happiness, fights, ups, downs...all for...

What, exactly?


** JOHN FRASCELLA'S SCORE: 9 out of 10 **


Don't forget the OVERALL rankings for my existing reviews/recent films seen:

1. Up in the Air (9.5/10)
2. Steve Jobs (9.5/10)
3. Margin Call (9/10)
4. Stay (9/10)
5. Gone Girl (9/10)
6. The Edge of Seventeen (9/10)
7. 45 Years (9/10)
8. Tape (9/10) 
9. A Perfect Murder (9/10)
10. War Dogs (8.5/10)
11. In Bruges (8.5/10)
12. Split (8.5/10)
13. Bad Moms (8.5/10)
14. Basquiat (8.5/10)
15. Moonlight (8/10)
16. The Revenant (8/10)
17. The Shallows (7.5/10)
18. Focus (7.5/10) 
19. The Night Before (7.5/10)
20. The Walk (7/10)
21. 10 Cloverfield Lane (7/10)
22. Loving (7/10) - No review available
23. The Boy (6/10) - No review available
24. Joy (5.5/10)
25. La La Land (5.5/10)
26. Molly's Game (5/10)
27. Set It Up (5/10)
28. Mike and Dave Need Wedding Dates (4.5/10) - No review available
29. Why Him? (3.5/10) - No review available
30. The Program (3/10)
31. Shut In (2/10) - No review available
32. Rings (1.5/10)
33. Mother's Day (1.5/10)

Reviews to Come...

Lady Bird
Eastern Promises
A Quiet Place
Life of Pi
Wind River
Hell or High Water
Sunshine Cleaning
Zero Dark Thirty
The Box
Annabelle: Creation
The Conjuring 2
Baby Driver
Body of Lies
Untraceable
The Wonder Boys
Jackie Brown
Mean Streets
Nerve
The Hateful Eight
The Seven Five
How to Be Single
Deadpool
Ratatouille
The Spectacular Now
The Visit
Nocturnal Animals
The Purge: Election Year
And more...

Thursday, June 28, 2018

My 200 Favorite Movies: J.C. Chandor's "Margin Call" Sizzles with Spacey, Irons & Bettany

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There are no superheroes.

No explosions. No chases. No gunfights.

As a matter of fact, nearly the entire movie takes place in one building. And yet writer/director J.C. Chandor's Margin Call (2011) creates suspense, anxiety and intrigue -- if you care enough to get the know its characters, and the unenviable position they are in.

America's approaching the fiscal cliff -- we've seen this tackled elsewhere in The Big Short, Too Big to Fail, Inside Job and even HBO's The Wizard of Lies -- and we're taken inside the condensing walls of a (fictional) powerhouse financial investment firm. Margin Call is an educated work of fiction, but we know we're essentially looking at a conglomerate of Lehman Brothers, Merrill Lynch, Bear Stearns and more of the like. The layoffs are already under way, and we start with savvy analyst Eric Dale (the always-nuanced Stanley Tucci).

Tucci's the first recognizable face to get the ax; but on his way out, he hands a file to his junior, genius analyst Peter Sullivan (Zachary Quinto, also a producer) and says "be careful." Sullivan, of course, dives right into Dale's work. Long story short, Sullivan expands upon Dale's analysis and realizes shit is about to hit the fan. The firm's financial formula is flopping. The devastation has already begun.

So Sullivan tells his superior, Will Emerson (a superb Paul Bettany), who tells his superior, Jared Cohen (a stone-cold Simon Baker), who calls his superior, John Tuld (an electrifying Jeremy Irons), who is the boss of all bosses. It's 4 o'clock in the morning, but a damage-control meeting becomes an immediate necessity. Tuld -- whose name is reminiscent of Dick Fuld, the former CEO of Lehman Brothers (good catch, Roger Ebert) -- drops in on his fancy private helicopter.

In the boardroom, the whole gang gets together. Tuld, intense, sits at the head of the table. To his right are Cohen and the firm's chief financial officers, Sarah Robertson (Demi Moore) and Ramesh Shah (Aasif Mandvi). To his left are his sales manager, Sam Rogers (the now-disgraced but phenomenally-talented Kevin Spacey), and his young soldiers, Sullivan and Seth Bregman (an overmatched Penn Badgley).

Tuld asks for an explanation of the rapidly-devolving situation. Sullivan delivers him the bad news. It only takes a few moments for Tuld to recognize what has to be done -- the firm needs to empty its books. They need to dump all of their worthless holdings on the open market. This brings us to the moral center of the story.

Sam has been with the firm 34 years. There's no question he's seen some shadiness in the past; but this is a whole 'nother level. The firm would knowingly be dumping worthless market positions on its buyers. They'll make money in sales, while putting former "swap" partners out of business. The alternative is to be forthcoming across the board. That would put Tuld, Cohen and Sam out of business. Weeeeee, what a predicament! as John Travolta says in Face/Off.

Spacey toes a fine line in this one. His disgusting off-screen behavior has rightfully erased him from Hollywood, but in Margin Call he showcases the range that facilitated his initial climb to fame. Sam knows the right thing to do, but he's also a dedicated company man. He warns Cohen not to even think about this plan. He warns Tuld not to put it into action. Throughout the corporate ping-pong match, Spacey bounces from confident to belabored to disgusted to determined, then all the way back around again. He's simply a world-class actor working with a well-written screenplay from Chandor.

I haven't written much about Bettany; but he provides what little comic relief exists within Chandor's rightfully-serious script. He has a funny scene explaining how he spends $2.5 million in a year, and a knockout punch of a line after a long-winded soliloquy from Tucci. Bettany's Will is a very interesting character; like Sam, he's a committed company man, but there's something allegorical about him. I think he represents cutthroat American capitalism with a sense of humor. Bettany strikes a beautiful balance, and he delivers when Chandor provides him with a couple killer speeches. He's nice to Dale on his way out. He takes Sullivan and Bregman under his wing. He sticks up for Sam when he isn't around to defend himself. Will seems like the guy you'd most want to be friends with.

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Irons, not surprisingly, is a scene-stealer. Considering the strength of his scintillating performance, I couldn't possibly imagine anyone else in the role of Tuld.  Margin Call was nominated for Best Original Screenplay at the 2011 Academy Awards, but -- somehow -- Irons was NOT nominated for Best Supporting Actor. Just an absolute travesty. Tuld is the embodiment of American big business. Irons lets him travel all over the personality spectrum -- Tuld can be self-deprecating for an instant, then utterly intimidating the next. He's smart, slimy and amoral. Irons is a joy to behold, and his perfect performance is punctuated by this memorable monetary speech:

So you think we might have put a few people out of business today. That its all for naught. You've been doing that everyday for almost forty years Sam. And if this is all for naught then so is everything out there. Its just money; its made up. Pieces of paper with pictures on it so we don't have to kill each other just to get something to eat. It's not wrong. And it's certainly no different today than its ever been. 1637, 1797, 1819, 37, 57, 84, 1901, 07, 29, 1937, 1974, 1987-Jesus, didn't that fuck up me up good-92, 97, 2000 and whatever we want to call this. It's all just the same thing over and over; we can't help ourselves. And you and I can't control it, or stop it, or even slow it.

Beautifully written by Chandor, and Irons just kills it. Even Spacey is speechless for a moment.

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In the end, this is basically the way it went down. A bunch of financial gurus sat around kickin' the tires. At some point, many of them decided they had to bury the little people.

Margin Call ends with Sam, alone, in the dark...burying his dog.

** JOHN FRASCELLA'S SCORE: 9 out of 10 **

Don't forget the updated rankings for my existing reviews/recent films seen:

1. Up in the Air (9.5/10)
2. Steve Jobs (9.5/10)
3. Margin Call (9/10)
4. Stay (9/10)
5. Gone Girl (9/10)
6. The Edge of Seventeen (9/10)
7. Tape (9/10) 
8. A Perfect Murder (9/10)
9. War Dogs (8.5/10)
10. In Bruges (8.5/10)
11. Split (8.5/10)
12. Bad Moms (8.5/10)
13. Basquiat (8.5/10)
14. Moonlight (8/10)
15. The Revenant (8/10)
16. The Shallows (7.5/10)
17. Focus (7.5/10) 
18. The Night Before (7.5/10)
19. The Walk (7/10)
20. 10 Cloverfield Lane (7/10)
21. Loving (7/10) - No review available
22. The Boy (6/10) - No review available
23. Joy (5.5/10)
24. La La Land (5.5/10)
25. Molly's Game (5/10)
26. Set It Up (5/10)
27. Mike and Dave Need Wedding Dates (4.5/10) - No review available
28. Why Him? (3.5/10) - No review available
29. The Program (3/10)
30. Shut In (2/10) - No review available
31. Rings (1.5/10)
32. Mother's Day (1.5/10)

Reviews to Come...

Lady Bird
Eastern Promises
A Quiet Place
Life of Pi
Wind River
Hell or High Water
Sunshine Cleaning
Zero Dark Thirty
The Box
Annabelle: Creation
The Conjuring 2
Baby Driver
Body of Lies
Untraceable
The Wonder Boys
Jackie Brown
Mean Streets
Nerve
The Hateful Eight
The Seven Five
How to Be Single
Deadpool
Ratatouille
The Spectacular Now
The Visit
Nocturnal Animals
The Purge: Election Year
And more...

Monday, June 25, 2018

The Return of the Rom-Com: Netflix Plays It Safe With "Set It Up"

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It seems like everything Netflix touches -- except maybe Kevin Spacey in House of Cards -- turns to gold.

Stranger Things is (somehow) a cultural phenomenon, Orange Is the New Black has had a great run, Narcos gets constant buzz and I'm personally looking forward to Season 2 of Mindhunter

In the last week or so, Netflix has been featuring its original film, Set It Up, and once again the powerhouse streaming service is wiiiinninggggg. Directed by Claire Scanlon (Brooklyn Nine-Nine, The Office) and starring up-and-comers Zoey Deutch and Glen Powell, Set It Up is an uninspired, by-the-book rom-com; but Netflix touched it, so it's crushing. 

I can summarize the entire movie in one sentence: two young, overworked NYC assistants try to set up their overbearing, cliche-crusted bosses. Harper (Deutch) and Charlie (Powell) think Kirsten (Lucy Liu) and Rick (Taye Diggs) need some good lovin'. Maybe then they'll ease up a bit, and Harper and Charlie will have some more free time on their hands. 

And you can probably guess what happens. Harper and Charlie don't know one another at first -- though Deutch and Powell starred together in Richard Linklater's Everybody Wants Some!! -- but their collective scheming eventually leads to some romantic feelings. Katie Silberman's screenplay hits all the regulars: First they don't care about one another, then they bond, eventually the bosses find out, there's a disagreement, then they make up. Aww. 

But that's exactly Netflix's genius. 

With superhero franchises absolutely dominating the theaters, romantic comedies have become a relic of the past. The past 6-7 years have been littered with the phrase, the rom-com is dead. But people are nostalgic. Everything is cyclical. Netflix knows this. It/they are super smart, and you didn't need to be super smart to figure this one out. People are ready for the return of the rom-com, and you can be damn sure that Netflix is prepared to deliver it to them. 

I know cable TV is a sucker's bet these days -- considering the abundance of content-heavy streaming services -- but I'm still living in the past with Optimum. If you're like me (with Optimum, Fios or what have you) try going a weekend without seeing Meet the Parents, Hitch, Friends With Benefits, Pretty Woman and/or 10 Things I Hate About You on cable. It can't be done. Unless you keep your TV off 24-7. 

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I have to believe Netflix is well aware of the situation. People watch rom-coms at home when they want to "turn their brains off." It's easy watching. That's why a new-age, old-dog like Set It Up hits a sweet spot on Netflix. The viewers don't have to get out of bed. No one has to move from the couch. 

Anyway, I guess I could say a little more about the film itself. Deutch and Powell are like conglomerates of other performers. In terms of looks, mannerisms and ability, Deutch -- whom I was introduced to in Why Him? and totally forgot about -- is like a mash-up of Ellen Page and Emma Roberts. She's what is known as a "Manic Pixie Dream Girl," all full of positive energy, smiles and awww shucks. I happened to catch her on a recent episode of Watch What Happens Live with Andy Cohen, and she was exactly what you'd expect -- over-the-top cute, self-deprecating and impossibly nice. 

Yes, a sports journalist is currently writing about rom-coms and Bravo television. Further proof of our ever-evolving society. 

As for the male lead, Jerry O'Connell (a Bravo nut, fittingly enough) plus Anders Holm (Workaholics, How to Be Single) plus Pete Holmes (Crashing, his own stand-up) equals Glen Powell. I couldn't even see him in the performance. At times I saw O'Connell's overzealous charm, Holm's looks and potential versatility and Holmes' mannerisms and goofiness. He's fine with Deutch, but I'm not gushing over the match. 

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There's a cute scene involving a box of pizza; but that's about it. Diggs' charisma is lost in his stupid role, and I'm not really sure Liu can act. They have no chemistry, and I didn't care about the fate of either character. 

On the plus side, the film moves along briskly enough. The NYC rom-com has been beaten to death -- Woody Allen wrote about 25 on his own -- but again, there's that nostalgia. It's comforting in some way. 

Set It Up is a predictable mixture of The Devil Wears Prada, The Parent Trap (which is directly referenced) and 200 other cookie-cutter rom-coms, but I guess...since you don't have to get up from the couch...you can consider wasting an hour-and-a-half on it. Can't say I'd recommend it. 

** JOHN FRASCELLA'S SCORE: 5 out of 10 **

Don't forget to check out my updated rankings:

1. Up in the Air (9.5/10)
2. Steve Jobs (9.5/10)
3. Stay (9/10)
4. Gone Girl (9/10)
5. The Edge of Seventeen (9/10)
6. Tape (9/10) 
7. A Perfect Murder (9/10)
8. War Dogs (8.5/10)
9. In Bruges (8.5/10)
10. Split (8.5/10)
11. Bad Moms (8.5/10)
12. Basquiat (8.5/10)
13. Moonlight (8/10)
14. The Revenant (8/10)
15. The Shallows (7.5/10)
16. Focus (7.5/10) 
17. The Night Before (7.5/10)
18. The Walk (7/10)
19. 10 Cloverfield Lane (7/10)
20. Molly's Game (6/10)
21. The Boy (6/10) - No review available
22. Joy (5.5/10)
23. La La Land (5/10)
24. Set It Up (5/10)
25. Why Him? (3.5/10) - No review available
26. The Program (3/10)
27. Shut In (2/10) - No review available
28. Rings (1.5/10)
29. Mother's Day (1.5/10)

Reviews to Come...

Hell or High Water
Sunshine Cleaning
Zero Dark Thirty
The Box
Annabelle: Creation
The Conjuring 2
Baby Driver
Body of Lies
Untraceable
The Wonder Boys
Jackie Brown
Mean Streets
Nerve
The Hateful Eight
The Seven Five
Mike and Dave Need Wedding Dates
How to Be Single
Deadpool
Ratatouille
The Spectacular Now
The Visit
Loving
Nocturnal Animals
The Purge: Election Year
And more...

Sunday, June 24, 2018

Nice Guys Finish Last: Inside Details of My Mets Fantrip to Chase Field



Chase Field in Arizona has a retractable roof and air conditioning, but you couldn't feel it the evening of Thursday, June 14. In the fan zone in right center with 12 of my best friends in the world, the sweat poured off many of our foreheads. We sat quietly for a couple innings to conserve energy, until one of my groomsmen -- staring at the monitor in front of him -- stumbled upon a stat that shocked him:

"This can't be right," he began. 

"What is it?"

"Nah, this can't be possible."

"What are you looking at?"

"Brace yourself, John," he said. 

A look of worry swept across my face. 

"This is the first time in ten games," he said, pausing for effect, "that the Mets have scored a run in more than one inning."

"You're definitely reading that wrong," I replied, with some confidence. 

"Nah, they're really THAT bad," he insisted. "I don't understand how a stat like that is even possible. They've only been scoring in one inning -- or no innings? -- for almost two weeks???"

Embarrassing, I know; but we arrived in Arizona knowing these young Mets were approaching rock bottom. After storming out of the gate to a mind-boggling 11-1 start under rookie manager Mickey Callaway, my favorite team tumbled harder than Simone Biles during her floor exercise. 

I was hoping to watch a playoff contender on my Bachelor Party, but that contender turned out to be our opponent, the pesky Diamondbacks led by Paul Goldschmidt, David Peralta, Daniel Descalso and Jon Jay. The Mets should have acquired Jay from the anemic Royals for pennies on the dollar, but that's a story for a different day. 

So that night, in right center, I began developing my up-close-and-personal scouting reports for the young men in blue and orange. It started with a routine double play in the bottom of the 5th. The Mets were trailing 3-1, when Nick Ahmed bounced into a 5-4-3, from Todd Frazier to Asdrubal Cabrera over to Dominic Smith. It was an entirely unspectacular play. And here we are -- trailing in the game, on the road and stumbling down the standings -- and there's Brandon Nimmo in right field...

Pounding his glove and celebrating the DP as if Jeurys Familia had just nailed down a playoff win in the 9th. I mean, this kid was pumped. Nimmo loves to play the game, and he's serious about every out, start to finish. No one else reacted that way. I took a mental note. 

As the game progressed, we received a surprise visit from Paul Kellam of the Diamondbacks' Suite Sales division. Paul, aware of the Bachelor Party and our large group of baseball fans, gave us 6 complimentary field-level tickets behind the Mets dugout for the following night's game. The gentleman and class act he is, he also told us he'd get us down to the field for batting practice. (If you're ever looking to attend a game at Chase Field, I highly recommend hitting him up @charles_kellam on Twitter.)

Thursday's game ended in a 6-3 loss, but the action was good -- 7 total homers were hammered -- and I came away optimistic about the dingers from our young cornerstones Nimmo, Michael Conforto and Amed Rosario. Our youthful shortstop's late homer was clutch, but we were unable to catch up after a disastrous relief performance from 25-year old right-hander Jacob Rhame. The D'Backs teed off on Rhame -- whose 97-mph fastballs simply weren't enough -- with insurance bombs from Peralta and Jake Lamb

PART II: "In Da Club" With the Mets

Later that night we went out in Scottsdale. We stroll up to the bar for drinks and, lo and behold, who do we see in VIP?

None other than Noah "Thor" Syndergaard, future closer Robert Gsellman and the LVP, Rhame.

Should you really be out at the club partying after losing 11 out of your last 12 games? Is that a streak worth celebrating? I understand that these are young men who need to have lives, but I'm not too sure about the timing. 

So as soon as Rhame stepped down from VIP, I went right after him. 

"Jacob, what happened tonight?" I asked. "Two homers over 400 feet? Ouch."

In his shoes, after an embarrassing performance, I probably would have been like who the hell are you? Get out of my face. Instead, he smiled, laughed and said "yeah, I don't know what happened out there tonight. I couldn't get anyone out."

Nice guy. We chatted for a minute or so. When he headed toward the bar, my friends also badgered him with insults (playfully). He took it well. I just don't know. If I were Jacob Rhame, with a 9.00 ERA looking to survive in the major leagues, I don't think I'd be out celebrating. I don't think I'd be laughing off hecklers, either. I'd probably be up all night trying to figure out how to get better. I'd be looking for a way to stay up in the bigs. Instead, he was finding a way to stay out all night. 

There I am with Thor. We look alike. 

I also got a brief moment to chat with Syndergaard. He didn't seem too concerned about going from 11-1 to one of the worst teams in the MLB. Seemed pretty carefree to me. My buddy said, "He struts around like the horse that just won the Triple Crown. He owns the room." Maybe so, but isn't winning on the ball field more important?

Notice that Jacob deGrom wasn't out at the club with these guys, either. 

PART III: Quality Time with Nimmo, Frazier & Wilmer

The very next day, Paul Kellam delivered. He met us at the gate with BP passes, and escorted us right down to the field. Callaway was one of the first Mets out of the dugout; he proceeded to play pepper with an assistant coach for a half hour. Good prep for the game. 

Parallel with the first base line, bullpen coach Ricky Bones -- former big league pitcher for 7 different organizations -- pitched to the bullpen catcher. Bones had once tossed me a ball at Yankee Stadium during a subway series game, so we started having a little fun with him. We asked him to flip in a curveball; he smiled, and did. We asked for the slider, and he showed it off. As Ricky was wrapping up his faux bullpen session, Callaway walked by heading for home plate. 

"Mickeyyy," I said with a nod of recognition. 

Flashing a wide, warm smile, he nodded and waived to all of us. 

"Ricky looks sharp today," I said, "you should use him in the 8th tonight!"

Mickey chuckled and said, "we'll get it done!" Callaway and Bones -- two more nice guys. 

As the players finally crawled out of the dugout, one by one, we started to interact more. The night before, Rosario's 8th-inning homer was particularly impressive, coming off Archie Bradley, one of the elite right-handed relievers in the game. When Rosario loosened up near us, I said:

"Amed, what did you get last night, a hanging slider?"

He smiled widely and twisted his right hand, confirming the slider. 

"Good piece," I added. 

He smiled again and nodded in thanks. Another nice kid. 

While on the topic of Rosario, there's something comforting about watching him up close. He just looks like a professional ballplayer. Tall, lean, fit and smooth, Amed walks around like he belongs. I'm reminded of former GM Jim Bowden's rant about Rosario, Jose Reyes and the Mets' handling of their shortstop position. Lifetime baseball men just know when they see a kid whose going to be around for a long time. Something about Rosario's mannerisms and facial expressions tell me that he's always expected to be here. I suppose that's good and bad. 

Frazier, Smith, Nimmo, Conforto, Jose Bautista and Cabrera all proceeded to acknowledge us, though the latter appeared to be the least friendly of the bunch. 

In the batter's box, we noticed a lot. If you've never been to major league BP, the players hit in small groups. Group 1 featured Cabrera, Frazier, Rosario and Plawecki. Maybe that simply qualifies as "infielders," but I was disgusted to see Plawecki in with the "1s" or the "A" group. A .222 lifetime hitter with only 7 homers in 607 plate appearances -- a bona fide first-round bust. At the time he was hitting roughly .190 on the season. 

At the plate, his BP was equivalent to a solid little leaguer. Lot of weak grounders and lazy pop ups. One of my buddies was a standout hitter in college, and he had to look away. It was shameful for a "professional" ballplayer. 

As Frazier waltzed over to us for autographs, I had to open my big mouth:

"Todd, you have to teach KP how to hit," I insisted. 

"KP?" he said with a puzzled look. 

"Plawecki," I said, eyes rolling. 

"Oh yeah, yeah, oh you guys know Plawecki?" he asked. 

"No," I said, "he just can't hit. You gotta help him out. We can't take it anymore."

He laughed and said, "Nah, Plawecki's my boy. He's gonna be all right."

Here we are with Todd Frazier; perhaps the nicest pro I've ever met. 
It was the second time in two days I was a wise ass to a New York Met, and the second time they smiled and continued making conversation with me.

Obviously Rhame and Frazier have to be professionals to some extent -- though Rhame's leash is probably longer at the club -- but neither guy even reacted negatively. If I were Rhame, I probably would have been like why is this random midget making fun of me to my face? If I were Frazier, I probably would have been like why is this clown making fun of my teammate? That's how he says hello?

But it's all smiles and laughs from these Mets. They do a lot of horsing around during BP, warm-ups and even during games when they are losing. It's just not the culture I'd want for a 31-43 club. I'd want them to be more serious about winning. Baseball is supposed to be a kid's game for kids. Not for professional ballplayers making millions upon millions.

I'm reminded of Brad Pitt's speech in Moneyball: Is losing fun?

But I'm losing steam on this piece. It's just so hard for me to write about this team, and the organization itself. I just heard Callaway and Sandy Alderson (don't forget to read my piece on Sandy) have benched Rosario for Jose Reyes. I mean, what can we say? Would any other organization in professional sports do that during a rebuilding year? I've already tweeted about this twice.

I was going to transition to a rah-rah segment about Nimmo -- who is a good-looking all-around ballplayer and true class act -- but there's just no point. The Mets lost both games when we were in Arizona. It's what they do...lose. Lose and manage the entire organization poorly.

Whatever. I give up.